How to Light Up The Audition Room With Just One Line (And Get Asked Back For Bigger Roles)
Forget everything you’ve learned in acting class.
Yup, don’t erase it; just push it to the back of your mind for a minute.
Because when we’re talking about small role auditions, you need to forget what you’ve been trained to do when it comes to creating a character, a backstory…
Forget all of it.
Because for small role auditions, 99% of the time, none of it applies.
Freaky, isn’t it?
The reasoning is simple though. Your training up to this point – no matter how good – has been focused on fleshing out bigger roles.
And that’s awesome.
But what about the smaller roles?
- The ones that you can use as a stepping stone to larger ones.
- The ones that seem so simple and are anything BUT.
- The ones that trip up even the most skilled and experienced actors…
Your regular acting and auditioning skills just don’t apply.
These auditions are a different animal entirely.
Not only that but, they might even be the hardest auditions you ever have in your acting career.
WERID FACT: The smaller the role, the harder the audition.
If you’ve ever auditioned for a small role, you’re nodding in agreement right now, aren’t you?
And when I say “small role”, I’m talking about the one or two liners, the featured roles, the co-star roles…
The one’s that aren’t about you.
And this is exactly what you need to remember when you get the sides and try to nail one of these tricky parts…
1. It’s Not About You
These kinds of smaller roles—which make up 95% of the small role auditions that you go for—they’re not about you.
They’re about lending credibility and reality to a scene about some other (bigger) character….
The guest star, the series regular, the large supporting or starring role in the project.
It’s about them, not you.
Their character, not your character.
So don’t make it about you or your character.The biggest mistake you can make in a small role audition is making it about you.Click To Tweet
It’s understandable that you want to come in to your audition and make it about you. Afterall, it is YOUR audition.
And you’re trying to stand out so you can book it!
But when it comes to landing a small role, the most effective approach to take is the one that is actually counter-intuitive from everything you’ve learned before.
And it’s going to feel weird.
When you do it right, you’ll walk into your audition and say your line as if you were simply talking like a real person in real life…
…and definitely not “ACTING!!”
From all my experience in casting, I can tell you…
This is what books: subtle, quiet, simple, REAL.
At first, you’re going to feel like you didn’t do anything.
GOOD! If it feels like that, you’re in the zone.
Truly, when you start doing less and getting callbacks from it, that’s when it all clicks and you’ll believe every word I’m saying to you now.
But it won’t be easy. It takes guts.
Speaking of guts, here’s the next tip for nailing more of the small role auditions you’re already going in for…
2. Have the Guts Do Nothing
Typically, “doing nothing” is not a method you’re familiar with when you’re trying to book it.
Let’s talk about what it really means to “do nothing” when it comes to your audition.
Remember how they categorized that show as being a show about “nothing” and it became a running joke?
But it really wasn’t about nothing, was it?
It was a slice of life. A heightened comedy about the “excruciating minutia” of every daily event.
See where we’re headed with this?
When you’re auditioning for a smaller role, oftentimes, your lines are the “minutia”.
You’re listening, and saying lines – words that aren’t “drama”, per se.
The purpose of which is to simply serve the scene…
To lend reality to the main characters whose lines ARE moving the story forward.
Maybe you’re auditioning for the role of “Secretary” in an episode of Blue Bloods and your character walks into the Police Chief’s office and your whole line is, “It’s the Mayor on line 2.”
Can you see how this line is not about you?
It’s about the Police Chief and his reaction to the Mayor calling. His conversation with the Mayor moves the story forward.
Your line lends reality to that.
So, having the guts to do nothing in your audition doesn’t mean you become a lifeless automaton.
It’s just that you have to have the guts to show up and simply and naturally say those words – no backstory, no homework.
You’re simply saying something like a regular person would if they wanted to let someone know they had a phone call.
And you have to be willing to “do nothing”, meaning NO ACTING!When you’re auditioning for a small role, ditch the acting.Click To Tweet
Now that you know it isn’t about you and you really have to have the guts to do nothing, there’s just one more point to keep in mind…
3. Breathe Life Into YOU, Not Your Character
Again, this isn’t going to feel natural… at first.
You really have to train your mind to let go of your prior acting training here and deploy this new skill of “doing nothing”.
You have to trust yourself.
You’re taught in acting class that your whole focus is to breathe life into the character…
But a small role audition is different. You’re not creating a character in the traditional sense.
For a small role, you need to breathe life into you, and let their words just come out of your mouth.
Sounds crazy, right?
But this is exactly what the Casting Directors are looking for.
They’re not looking for an interesting secretary with a backstory about how she ate Cheerios for breakfast and got in an argument with her husband before she left the house. It’s irrelevant that she hates her boss or that all she really wants is a promotion to Office Manager.
None of that applies.
What really matters is that you show up, and you simply and naturally say the words.
You say the line the way you would if you were the secretary…
No backstory required.
And I said you have to trust yourself, because you have to trust that this isn’t boring…that you’re not boring.In a small role audition, when you do less & think you’re being boring, you’re actually interestingClick To Tweet
Think about it.
In real life, when you’re having a conversation about the minutia of daily events, you’re basically talking about nothing – but you’re still interesting to the people you’re having the conversation with.
My point is…
You don’t have to infuse every single “pass the coffee” with scintillating backstory.
This is what the Casting Director means in an audition when they ask you to “do less” or “be smaller”.
They’re not asking you to lose your energy or be boring.
You can do the simplest and most subtle audition and still be infused with tons of energy.
It may take some coaching, but it’s really important for you to learn what that feels like and make a “muscle memory” of it.
You need to have the courage to “be boring”, and yet also have the awareness that you’re actually not.
It all comes down to your mindset.Approach every audition with a mindset that supports you and you’ll have way more success.Click To Tweet
When it comes to smaller roles the bravest thing you can do is to show up, be you, and simply say the words without acting.
This is what books.
Do that right, earn their trust and that’s what gets you asked back for the bigger roles.
Your turn! Was this tip on how to nail small role auditions helpful? What’s your biggest struggle when it comes to co-star auditions? Tell me about it in the comments below… :-)
You DESERVE the Red Carpet!
P.S. Want to learn more about how to nail small any role audition with ease? Check out my “Unstoppable Co-Star” video class and learn the simple 5-step system to rock any small role audition like a pro (and never waste another opportunity to nail it in front of an important Casting Director again).
Did this post on how to nail a small role audition help you? If so, I would greatly appreciate if you commented below and shared on Facebook.
Amy Jo Berman’s Tips On Acting & Auditioning Blog
“I show actors how to be better, book more jobs and live The Red Carpet life!”